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Katonah NY ~ 3/13/07
CARAMOOR FACT SHEET
What: Caramoor is home to metropolitan New York's largest annual outdoor music festival. It is also known for its year-round concerts, lectures and educational programs. Caramoor maintains a world-class collection of fine and decorative art in its House Museum.
Every summer, amidst its 90 acres of fragrant gardens and towering trees, Caramoor's two outdoor theatres - the Spanish Courtyard and the Venetian Theater - resonate with the glorious sounds of orchestral music, bel canto opera, chamber music, jazz and American music from bluegrass to cabaret, performed by the world's finest artists.
Who: Michael Barrett is Caramoor's Chief Executive and General Director. Peter Oundjian is Caramoor's Artistic Advisor and Principal Conductor. Will Crutchfield is Caramoor's Director of Opera. Joe Lovano is Artistic Director of Caramoor's Jazz Festival. Edward Arron is the Artistic Director of the Caramoor Virtuosi. The Orchestra of St. Luke's enjoys an official residency at Caramoor. The 2007-2008 Caramoor Composer-in- Residence is Paquito D'Rivera. Marco Granados is the Music Advisor for Sonidos Latinos, Caramoor's Latin American Music Initiative. The 2006-2007 Ernst Stiefel Quartet-in-Residence is the Parker String Quartet.
Directions: Caramoor is located in Katonah, New York (45 miles from midtown Manhattan), and is easily accessible by car and by the Harlem Division of the Metro-North Railroad operating out of Grand Central Terminal. For more detailed directions call the Box Office (914-232-1252) or visit www.caramoor.org. By bus from Manhattan: Take the Caramoor Caravan and ride comfortably in a luxurious, air-conditioned coach. Round trip service is available for all Saturday and most Sunday performances during the summer music festival. The Caravan departs from the Port Authority Bus Terminal and Upper West Side and East Side locations.
Important Box Office: 914-232-1252 Telephone House Museum tours, Performer's Showcases (Wednesday mid-morning recitals), Numbers: Afternoon Tea (Thursday and Fridays) and Garden Tours: 914-232-5035 ext. 221 General Information: 914-232-5035 Caramoor's Website: caramoor.org
Venetian On the evening of June 21, 1958, thunder rumbled overhead and rain poured down. Theater: The audience at the inaugural concert of the newly completed Venetian Theater remained in their seats, huddled beneath umbrellas. Soprano Marian Anderson sang Orfeo - the first and only time she performed the role - in Gluck's Orfeo ed Euridice. The show went on despite the rain, and the Venetian Theater was launched. The 1700 seat outdoor theater was designed by Frederick Kiesler around a set of Greek and Roman pink marble columns purchased and imported by Caramoor founder Walter Rosen. The Venetian Theater was built to accommodate the increasing audiences at the fledgling Music Festival and became the third and largest performing space, along with the Spanish Courtyard and the Music Room. In 1986, a new tent was erected in the Venetian Theater which, for the first time, protected all seats from inclement weather. An improved tent and the installation of a wooden floor in 1989 brought noticeably improved acoustics to the already resonant Theater.
Today, Caramoor is one of the foremost venues on the international concert music scene and metropolitan New York's largest annual outdoor summer music festival. On summer evenings, the white tent flutters in the breeze. The stage lights illuminate the Venetian arches and marble columns, and the audience enjoys another concert of spectacular music. Spanish For over sixty years, the colonnaded Spanish Courtyard has resounded with the voices Courtyard: and music of such artists as Jennie Tourel, Jan Peerce, Alicia de Larrocha, Frederica von Stade, Beverly Sills, and many more. With a capacity of six hundred and thirty, the Spanish Courtyard provides an intimate concert experience in which every strand of music can be clearly discerned. It is the perfect venue for chamber music, early music ensembles, vocal recitals, pre-concert lectures, and candle-lit post concert parties. The Spanish Courtyard is the core of Lucie and Walter Rosen's home, a maize stucco villa with red-tiled roof and complicated angles.
Diane Moss On November 4, 2001, the new Diane Moss Education Center at Caramoor was officially Education opened. This colorful, lively, informal space in one of the estate's original Center: Mediterranean-style buildings has enabled Caramoor to double the number of education program-days scheduled each year. The building has two floors: the downstairs consists of a workshop area, performance space, an art space, and restrooms; upstairs there is anadditional 1200 square feet that are used as smaller classroom spaces, rehearsal rooms, and office space. The facility complies with the Americans with Disabilities Act. House The large, rambling Mediterranean-style villa contains a priceless collection of Museum: Renaissance and Eastern art objects and entire rooms imported from European palaces. Twenty rooms are open to the public. The Museum is the former summer home of financier Walter and his wife Lucie Bigelow Dodge Rosen, Caramoor's founders. The house was built around the Spanish Courtyard, where concerts are held outdoors during the summer.
Tours of the Museum are offered Wednesday through Sunday, May through October (and by appointment at other times). Group tours can be arranged. Afternoon Tea is served in the Summer Dining Room overlooking the Spanish Courtyard on Thursday and Fridays at 3:00 pm, May through December. The teas are preceded by a tour of the House Museum at 1:45 pm, and reservations are required.
Gardens: The Caramoor estate sprawls over 90 acres and contains six major garden areas. Unlike other gardens in the area, Caramoor's were planned to enhance the site's Renaissance sensibility. When the Rosens purchased Caramoor in 1928, they were impressed by its Italianate Gardens, two of which, the Sunken Garden and the Medieval Mount, remain today.
Sense In 1989, Catherine Ziegler designed this garden for the visually and physically impaired. Circle: It is set around a dovecote (now a fountain) that had been on the property for years. The garden is separated into four quadrants and contains plants that appeal to the five senses. Each year a variety of highly scented and brightly colored plants, some of which are edible, are set out along with those with interesting texture. All the plants may be touched and the fountain may be used as a wishing well, making this a favorite stop for visitors of all ages. The plan of the garden allows easy access for those in wheelchairs, on crutches, and for the visually impaired. Butterfly Based on a design by Brunelleschi, the Italian Pavilion was formerly used as a point from Garden: which to view matches on an adjacent tennis court. Today the tent-covered court is paved with brick and is a popular site for weddings and for dinners during the Festival. Extending outfrom the Pavilion is the Butterfly Garden consisting of the Lion's Head fountain surrounded by plants chosen to encourage all stages of butterfly development. The flower colors of pale orange, yellow and blue match the hues of the antique floor tile of the Pavilion. During the summer months,the splashing of the fountain and the numerous butterflies add a sense of motion to the garden.
Sunken In close proximity to Caramoor's Venetian theater are the Venetian Circle, Sunken Garden Garden: and Medieval Mount. The Mount is surrounded by tall trees and shade-loving plants and has seating for quiet contemplation. It overlooks the Sunken Garden Close, which consists of breathtaking perennial borders and several center beds, planted with annuals and perennials. There are antique containers and statuary in this garden.
The flowers' pastel color scheme is intended to be admired by day and especially at night during the concert season, when moonlight causes a shimmering effect on the petals. Off to the side is the Juliet Gate, a 17th century Italian portal opening to the Cedar Walk - a long, wooded path leading through the Woodland Garden to Caramoor's Italian Pavilion.
Woodland With its three hundred foot Cedar Walk, lined on both sides with towering 70 year old Garden: eastern and western cedars as its focal point, the woodland garden is anchored in a network of board lined wood chipped pathways that create a diverse landscape of islands bordered by under growth or open meadow areas. The garden is also home to rhododendrons, dogwoods, sweetbay, hydrangea, styrax and clerodendrum. As well as a variety of flowering wood land perennials such as cone flowers, joe pie weed, columbine and lilies. In a corner hidden away among the trees and under growth, you can visit the Rosens' old pet cemetery. The woodland garden pathways have soft ground lighting, and like all of Caramoor's gardens during the festival and special events, the pathways are all lighted during the evening hours.
Theater Started in 2000 and separated from the woodland garden by the Venetian theater, the Garden: Theater Gardens cobble stone pathway gently arches its way through the shade of tall trees and shrubs under planted with hostas, ferns, astilbe and lilies. The cobble stone pathway eventually leads to the garden's focal point. Set in the middle of a large circular seating area, complete with old world style benches, stands a very imposing Victorian urn. Ornate in character, with its horse head handles and embossing of gun dog hunting scenes, it was manufactured in the mid-1800s by Bendreth Brothers Ornamentals of New York.
Venetian This echoes the pastels of the Sunken Garden. The Circle is framed by the 17th century Circle: Swiss Gates where one can see two large Pegasus sculpted by Malvina Hoffman.
Tapestry Around the corner from the Sense Circle is the Iris and Peony Garden. Started in 1990 and Hedge: now filled with ever-increasing amounts of blooms, the peonies and iris are best enjoyed in late May and early June when they are at their peak. Day lilies have been added to extend the season. A bench in the garden affords a splendid view of the Tapestry Hedge, an immense collection of evergreens that is a popular backdrop for photographs. The twin statues of Zephyr, the Greek god of the west wind, and Flora, the Roman goddess of flowers found there are attributed to the 17th-century Italian sculptor Antonio Bonazzi.
Cutting Next to the working greenhouse, which is not open to the public, is the Cutting Garden Garden: consisting of a series of eight raised beds used for cut flower production. The nearby compost bins, where used plant material is recycled, provide rich compost which is added to the beds to support the intensive cultivation of a wide range of flowers grown for use at Caramoor. Throughout the summer, the flowers are harvested, arranged in creative ways and placed in the rooms of the House Museum.
To arrange a garden tour call 914-232-5035 ext. 221

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