For Immediate Release
Contact: Cohn Dutcher Associates
 Lois Cohn, 917.339.7187, lcohn@cohndutcher.com
Dan Dutcher, 917.339.7157, ddutcher@cohndutcher.com
Katherine Barna, 917.339.7189, kbarna@cohndutcher.com

CARAMOOR INTERNATIONAL
MUSIC FESTIVAL 

Presents the first-ever
Caramoor Cavalcade

Saturday, June 30
Starting at 1 pm

Six concerts in one afternoon,
showcasing all that Caramoor has to offer

Tickets to any of the concerts
include admission to the
House Museum and the
opportunity to picnic on the estate grounds

Katonah, New York - On Saturday, June 30, the Caramoor International Music Festival presents its first annual Caramoor Cavalcade - an extraordinary, family-friendly afternoon showcase of the best that the Festival has to offer.  Caramoor Cavalcade features six concerts held throughout the exquisite grounds of the Caramoor estate, plus strolling musicians, opportunities to picnic on the grounds, and free guided tours of the Mediterranean-style House Museum.

Caramoor Cavalcade will begin with three Music in the Gardens mini-concerts at 1 pm, 2 pm, and 3 pm, continuing with two Family Concerts at 4:30 pm presented as part of Sonidos Latinos, Caramoor's new Latin American music initiative; and concludes with Red, White & Blues, a Fourth of July Weekend Extravaganza, at 8 pm. 

Red, White & Blues features the world premiere of Concerto for Double Bass, Clarinet/Alto Saxophone, and Orchestra (Conversations with Cachao), a work commissioned by Caramoor from its 2007-08 Composer-in-Residence, Paquito D'Rivera.  D'Rivera's Conversations with Cachao was inspired by the legendary Cuban double bassist Israel Lopez, known as "Cachao."

Music in the Gardens: 1:00 pm, 2:00 pm, and 3:00 pm

Audiences are invited to come early for the Music in the Gardens mini-concerts, in order to enjoy a picnic amidst Caramoor's magnificent gardens.  Strolling musicians will entertain throughout the lunch hour which begins at 12:00 pm. 

The Music in the Gardens mini-concerts begin at 1:00 pm with a performance of William Walton/Edith Sitwell/Facade: An Entertainment at the Tapestry Hedge in the gardens.  Michael Barrett conducts the Caramoor Ensemble in Walton's 1920s settings of Edith Sitwell's experimental and nonsensical poems.  At 2:00 pm, the Caramoor Bel Canto Young Artists and Caramoor Virtuosi, brilliant young performers who have trained at Caramoor, will be featured in the Spanish Courtyard in a program of arias, songs, and chamber works.  Performers are Mari Moriya, soprano; Laura Vlasak Nolen, mezzo-soprano; Xiaoping Dai, tenor; Eric Jordan, baritone; Karen Gomyo, violin; Edward Arron, cello; Jennifer Grim, flute; and Rachelle Jonck and Andrew Armstrong, piano.

At 3:00 pm, in the Sunken Garden, David Leisner presents a program of guitar classics, including Five Preludes and Three Etudes by Villa-Lobos, and Bach's Prelude, Fugue and Allegro, BWV 998.

House Museum - Lucie Rosen's Gowns: Tours every half hour 1:00 - 4:30 pm

Throughout the afternoon, free guided tours of the House Museum will be offered on the half hour from 1:00 to 4:30 pm.  The House Museum is one of only five famous mansions in the United States that incorporates entire rooms from European villas and palaces, 20 of which can be seen on docent-led tours.  The eclectic collection includes furniture, paintings, statuary, jade, cloisonne, stained glass and tapestries, all spanning many cultures.  Specially displayed for the Cavalcade will be a selection of vintage designer gowns and cocktail dresses from the wardrobe of Lucie Rosen who, with her husband, Walter, founded Caramoor.  As one of the members of high society, Lucie Rosen's gowns reflect both her exquisite taste and the fashions of a bygone era.

Family Concerts: 4:30 pm

Latin sounds for the family will be heard in two Sonidos Latinos Family Concerts, each geared toward a different age group. At 4:30 pm in the Venetian Theater, narrator Jamie Bernstein and flutist Marco Granados will explore traditional instruments of seven Latin American countries in a program appropriate for ages six and up.  Featured artists will be the Sonidos Latinos Festival Ensemble, comprised of three ensembles - Un Mundo, Choro Ensemble, and Inkhay - as well as young soloists Elena and Samora Pinderhughes.  Also at 4:30 pm in a parallel program presented in the Spanish Courtyard, Andes Manta will perform vibrant music from the Andes and bring to life the ancient cultures of the Incas and their predecessors on more than 35 traditional instruments, for children under the age of six.

Red, White & Blues: 8:00 pm

Caramoor Cavalcade concludes at 8:00 pm in the Venetian Theater with Red, White & Blues, a Fourth of July weekend extravaganza featuring the world premiere of Composer-in-Residence Paquito D'Rivera's Concerto for Double Bass, Clarinet/Alto Saxophone, and Orchestra (Conversations with Cachao) with John Feeney on bass, and Paquito D'Rivera on clarinet/alto sax.  D'Rivera?s Conversations with Cachao was inspired by the legendary Cuban musician Israel Lopez, known as "Cachao," the 88-years-young bassist who has played everything from symphonies and ballets to silent movies, circuses, and nightclubs.  The concert will also feature Aaron Copland's Three Latin American Sketches and George Gershwin's Rhapsody in Blue performed by Jeremy Denk, with Michael Barrett leading the Orchestra of St. Luke's.   

The concerts of Sonidos Latinos are made possible by generous support from the New York State Music Fund, established by the New York State Attorney General at Rockefeller Philanthropy Advisors.

TICKETS

Tickets for any of the concerts during the Caramoor Cavalcade include the opportunity to picnic on the grounds and tour the House Museum for free.  Tickets for all three afternoon Music in the Garden mini-concerts is $15.  Tickets for the Family Concert in the Venetian Theater for ages six and up are $25 and $15.  Tickets for the Family Concert in the Spanish Courtyard for children under six are $15.  Tickets for Red, White & Blues are $67.50, $55, $42.50, $30 and $17.50.  All tickets may be ordered by calling the Box Office at 914.232.1252 or online at caramoor.org

ARTISTS

Michael Barrett
Michael Barrett is Chief Executive and General Director of the Caramoor Center for Music and the Arts where he is responsible for the administration and programming of the year-round program and Summer Music Festival.  In 2003, building on a career of over 25 years of programming and performing experience in the arts, Mr. Barrett assumed the position at Caramoor, where he leads the artistic mission and is responsible for its fiscal well-being.  In the last three seasons, Mr. Barrett has reaffirmed his reputation as an innovator.  The New York Times has reported that, "Under the administration of the ebullient Michael Barrett . . . Caramoor appears to be thriving."  He has enhanced or implemented programming for a wide variety of ambitious music rarely heard in a festival setting covering a wide range of new presentations that attract diverse audiences.  In 1988, Mr. Barrett co-founded, with Steven Blier, the New York Festival of Song (NYFOS), which presents diverse and thematic song recitals in New York City and beyond; and, in 1992, co-founded the Moab Music Festival (MMF) with his wife, violist Leslie Tomkins.  He is also the Artistic Advisor for the Estate of Leonard Bernstein.  Mr. Barrett has been a guest conductor with the Orchestra of St. Luke's, New York Philharmonic, London Symphony, Israel Philharmonic and the Orchestre National de France among others.  He also has served variously as conductor, producer, and music director of numerous special projects, among them The Bernstein Beat, a young people's symphonic concert about rhythm at Carnegie Hall; the world premiere of Volpone by John Musto, which took place at Wolf Trap in 2004; and Hopper's Wife by Stewart Wallace and Michael Korie at the Long Beach Opera.

Jamie Bernstein
Jamie Bernstein is a narrator, writer and broadcaster who has transformed a lifetime of loving music into a career of sharing her knowledge and enthusiasm with others.  She grew up in an atmosphere bursting with music, theater and literature.  Her father, composer-conductor Leonard Bernstein, together with her mother, the pianist and actress Felicia Montealegre, and their legions of friends in the arts, created a spontaneous, ebullient household that turned Jamie into a dyed-in-the-wool cultural enthusiast. Replicating her father's lifelong compulsion to share and teach, Jamie has devised several ways of communicating her own excitement about classical music, including "The Bernstein Beat," a concert for young people about her father, modeled after his own groundbreaking Young People's Concerts.

Caramoor Bel Canto Young Artists
The Caramoor Bel Canto Young Artists, a hand-picked ensemble of future bel canto stars, provide the understudies and secondary roles in the operas, as well as sing in the Rossini concert.  They receive intensive training in 19th century performance practice from Caramoor's music staff and guest faculty.

Caramoor Virtuosi
Caramoor Virtuosi comprises alumni of the Caramoor Festival's Rising Stars Workshops, a program in which members began the transition from promising students to accomplished artists.  Heard around the world as soloists, concertmasters and orchestral and chamber players, Caramoor Virtuosi has been a presence since 1999 in the Music Room as well as at the Caramoor International Music Festival in the summer.

Choro Ensemble
The Choro Ensemble has pioneered the introduction of the Choro styles of music in the U.S., a genre that combines the classical European elements, Afro-Brazilian rhythms, improvisation and constant counterpoints between melody and the 7 string guitar.  More than merely playing Choro music for the American public, the Choro Ensemble also presents its own innovations in terms of arrangements and original compositions. In its 5 years of existence, the Choro Ensemble has been voted Best Weekly Jazz gig in Manhattan by Time Out magazine, played as special guest group with the Wynton Marsalis Lincoln Jazz Orchestra at the legendary Apollo Theater, performed as a special guest group with the New York Pops in Carnegie Hall, released two CDs, and has performed at the JVC Jazz Festival. 

Paquito D'Rivera
Caramoor's 2007-08 Composer-in-Residence, Paquito D'Rivera last appeared during the 2005 Caramoor International Music Festival.  D'Rivera was a child prodigy on the clarinet and saxophone and performed with the Cuban National Symphony Orchestra at a very early age.  He founded the Orquesta Cubana de Musica Moderna and Irakere, whose explosive mixture of jazz, rock, classical and traditional Cuban music was a groundbreaking addition to the Cuban musical milieu.  His discography includes over 30 solo albums, and he has appeared in solo performances throughout the world.  In 2005 the multi-Grammy Award winner was the recipient of the National Medal of the Arts, the highest award given to artists and arts patrons by the United States government.

Jeremy Denk
Jeremy Denk was a 1998 recipient of the Avery Fisher Career Grant and in 1997 won the Young Concert Artists International Auditions, both of which helped launch his national career as a recitalist and concerto soloist. He has appeared with the Philadelphia Orchestra, the Dallas Symphony, and the London Philharmonia, among others, and makes his debuts with the St. Louis, Houston, and San Francisco Symphonies in 2006/2007 season, as well as touring as soloist with the Orpheus Chamber Orchestra, with which he will make his Carnegie Hall debut. He made his New York recital debut at Alice Tully Hall in April 1997 as the recipient of the Juilliard School's Piano Debut Award, and since then has appeared regularly in recital in Boston, Chicago, New York, Philadelphia, and Washington, D.C. This last summer he was called at the last minute to replace Emanuel Ax for two recitals at the Mostly Mozart festival, performances that were acclaimed in both The New Yorker and the New York Times. This season includes a survey of all the Partitas of Bach, all-Beethoven programs, and the Berg Chamber Concerto. He has been a featured artist-in-residence on NPR's Performance Today. Currently he is collaborating with the violinist Joshua Bell, and they will appear in Carnegie Hall this upcoming season, as well as in two performances at the Wigmore Hall Schubert Festival in May 2006.

John Feeney
John Feeney, Principal double bass of the Orchestra of St. Luke's, has distinguished himself as a chamber musician, soloist and early music artist.  In 1975 he joined La Filharmonica De Las Americas in Mexico City and was named principal bass the following three seasons.  In 1978 he was a medalist and prize winner at the Geneva and Isle of Man Competitions.  In 1980 John Feeney and Edgar Meyer shared first prize at this country's first international bass competition and in 1981 Mr. Feeney garnered first prize in the prestigious Concert Artist Guild Competition.  Famous for his remarkably robust tone and versatile musicianship, John has remained the bassist of choice among the musical elite in the U.S. and Europe.  He performed Schubert's Trout Quintet with Jean-Yves Thibaudet, Josh Bell and Steven Isserlis several times and has appeared in concert playing duos with cellists Carter Brey, Laurence Lesser and Fred Sherry.  In demand as a period instrumentalist, he is principal bass of The Grand Tour Orchestra and The Smithsonian Chamber Players and has toured with The London Classical Players. His numerous performances of double bass concertos, with orchestras such as the American Symphony and St. Luke's, include engagements at Carnegie and Alice Tully Halls along with many other major NYC venues. Also a seasoned studio musician, he has recorded for most major record labels. Mr. Feeney began his bass studies with Linda McKnight and holds Bachelor and Masters degrees from the Juilliard School where he was a scholarship student of David Walter.

Marco Granados
Marco Granados last appeared at Caramoor with Un Mundo in 2006.  Since his 1991 New York debut at Carnegie Hall's Weill Recital Hall his performance highlights have included concerts at Alice Tully Hall, Merkin Concert Hall, The 92 Street Y, the 1999 British Flute Society International Convention in Manchester, as well as his thrilling performance at the closing ceremonies concert for the National Flute Association in Columbus, Ohio in 2000.  In 2001, he made his London debut at the fabled Wigmore Hall, with a solo recital of classical Latin American compositions, as well as recitals at The Royal Scottish Academy of Music and Drama, and for The British Flute Society at Queens College in London.  Over the past several years, he has been a favorite performer at flute festivals throughout the U.S. and abroad.

Inkhay
Inkhay is a Quechua verb that means "to tend the fire."  The members of the group have chosen this name to symbolize their commitment to keep alive, expose and spread the beautiful music of the Andes mountains of Bolivia, Peru and Ecuador.  The musicians play over two dozen musical instruments.  Among the wind instruments, they play a variety of pan-pipes known to the natives as "sikus", "antaras" or "zamponas". They also play end-notched vertical flutes called kenas, transverse flutes, whistles and ocarinas as well as an array of percussion instruments. All these instruments have their roots in pre-Hispanic civilization.  Inkhay originated in New York in 1984.  Their performances at music festivals, museums, schools and concert halls have created a new source of reference for folk music lovers.  The members of Inkhay, under the direction of Pepe Santana, a native from Ecuador, are:  Rothman Teran, Cesar Vele, Ivan Vele, all from Ecuador, Fernando Leiva from Bolivia and Andres Jimenez from Peru. 

David Leisner
Regarded as one of America's leading classical guitarists, David Leisner's superb musicianship and provocative programming have been applauded by critics and audiences around the world.  His career as a guitarist began auspiciously with top prizes in both the 1975 Toronto and 1981 Geneva International Guitar Competitions.  In the 1980s, a disabling hand injury, focal dystonia, cut off his blossoming performing career in mid-stream and plagued him for 12 years. Through a pioneering approach to technique based on his understanding of the physical aspects of playing the guitar, Leisner gradually rehabilitated himself. Now completely recovered, he has once again resumed an active performing career, earning accolades wherever he plays.  Recent seasons have taken him around the United States, including his solo debut with the Atlanta Symphony, a major tour of Australia and New Zealand, and debuts and reappearances in Japan, the Phillipines, Germany, Hungary, Switzerland, Austria, Denmark, Ireland, the U.K., Italy, Czech Republic, Greece, Puerto Rico and Mexico.

Orchestra of St. Luke's
Formed at the Caramoor International Music Festival in the summer of 1979, the Orchestra of St. Luke's evolved from the St. Luke's Chamber Ensemble (founded in 1974), with Ensemble members forming the Orchestra's artistic core as principal players.  In addition to being Caramoor's orchestra-in-residence for the Caramoor International Music Festival each summer, the Orchestra of St. Luke's continues a 20-year collaborative relationship with Carnegie Hall that currently includes participation in such Carnegie events as the Choral Workshop, Family Concerts, concert presentations of musical theater, including the recent presentation, recording, and telecast of Rodgers and Hammerstein?s South Pacific, and others. The Orchestra is also engaged throughout the year in a number of artistic collaborations, including the U.S. premiere of Paul McCartney's Ecce Cor Meum at Carnegie Hall.

Elena Pinderhughes
Flutist and vocalist Elena Pinderhughes is 12 years old.  She plays jazz, Latin jazz, Cuban, Brazilian, and classical music and sings in English, Portuguese, Spanish, German, and French. She performs regularly with the San Francisco Latin Jazz Youth Ensemble, the YMP Junior Jazzers, and with Catch 22, a trio she founded with her brother who plays piano and composes and arranges for the group. She has performed at the Fillmore Jazz Festival, San Jose Jazz Festival, Yerba Buena Center, Yoshis Jazz Club, the White House, and Carnegie Hall.  In April 2007, she was the featured soloist with the Montclair Women's Jazz Band at the Gualala Whale and Jazz Festival; the first time the producers featured a child on the main stage. She has been featured in articles on jazz and in an HBO special on young musicians entitled The Music in Me. Her first CD, entitled Catch 22, was released in 2005.

Samora Pinderhughes
Pianist, composer, and arranger Samora Pinderhughes is 15 years old. He has won several awards for his musicality and original compositions, including the prestigious Downbeat Award for "best original composition/best song" for Catch 22, the title track on his first CD.  In 2006 and 2007 he won awards for Outstanding Musicianship at the Folsom Jazz Festival.  His original compositions have been recorded and performed by a number of San Francisco Bay Area artists, including Grammy nominated percussionist John Santos and his Machete Ensemble.  He performs regularly with many groups, including the San Francisco Latin Jazz Youth Ensemble, YMP Junior Jazzers, and Catch 22, a trio he founded with his sister who plays flute and sings with the group.  He has performed at the Fillmore Jazz Festival, San Jose Jazz Festival, Yerba Buena Center, Yoshis Jazz Club, San Jose Jazz Festival, the White House, and Carnegie Hall.

Un Mundo
Un Mundo has toured since 1999 under the leadership of Marco Granados.  The ensemble is dedicated to the mission of bringing the passion and energy of Latin American music to the world.  It is also called to educate and instill in young people the love for music and the bridging of cultures by combining elements of classical as well as folk music into a program that is as diverse as it is exciting.  In addition to Mr. Granados, the current ensemble is Francisco Flores, trumpet; Jorge Glem, cuatro; Roberto Koch, bass; and Leonardo Granados, maracas and vocals.

ABOUT CARAMOOR

Caramoor is the legacy of Walter and Lucie Rosen, who built the great house and filled it with their treasures.  Walter Rosen was the master planner for the Caramoor estate, bringing to reality his dream of creating a place to entertain friends from around the world.  Their musical evenings were the seeds of the International Music Festival today. Realizing the pleasure their friends took in the beauty of Caramoor - the house with its art collection; the gardens; and the musical programs on summer evenings - the Rosens established a Foundation to open Caramoor to the public in perpetuity.

Lucie Rosen survived her husband by seventeen years. During those years, she expanded the Music Festival: the Spanish Courtyard was used as a setting for musical events, as it is today. Under her direction, the great stage of the Venetian Theater was built.

Caramoor is a Garden of Great Music. "We invite people to come early, explore our beautiful grounds, take a tour of the House Museum, visit our gift shop, enjoy a pre-concert picnic and discover beautiful music in a relaxed setting," advises Paul Rosenblum, Caramoor's Managing Director. With its unique heritage, Caramoor remains a place where magical summer days and nights are shared and enjoyed by thousands. "Caramoor is the loveliest Festival of them all." - The New York Times

Art and Gardens
Concerts take place in two outdoor theaters - the large, acoustically superb Venetian Theater, and the more intimate, romantic Spanish Courtyard.  Caramoor is more than just music - there is beauty at every turn.  The House Museum, the former summer home of Caramoor's founders, Lucie and Walter Rosen, contains a vast collection of Renaissance, 18th-century and Eastern art objects - furniture, tapestries, sculpture, paintings, textiles, porcelain and jade. There are entire rooms that were imported from European palaces and villas.  In fact, Caramoor is one of just five mansions in the country that incorporate entire rooms into its collection, twenty of which are open to the public.  On Thursdays and Fridays, Afternoon Tea is served in the Summer Dining Room, overlooking the charming Spanish Courtyard.

Caramoor's gardens are also well worth the visit. Nine unique perennial gardens - including a Sense Circle for the visually handicapped, a Butterfly Garden, a Medieval Mount and two gardens whose special characteristics are enjoyed primarily at night - may be seen on a guided tour or on one's own.

House Museum
Guided tours of the House Museum are provided from Wednesday through Sunday, 1-4 p.m., with the last tour at 3 p.m. On Saturdays during the Festival, tours are given from 1-5 p.m., with the last tour at 4 p.m. Tickets are $10 (children 16 and under free).

Getting to Caramoor
Caramoor is easy to get to by car, mass transportation or the Caramoor Caravan.

From Manhattan, take the Caramoor Caravan and ride comfortably in a luxurious, air-conditioned coach.  Round trip service is $22 and is available for all Saturday and Sunday performances during the Festival.  The Caravan departs from the Port Authority Bus Terminal and Upper West Side and East Side locations. Call the Box Office (914-232-1252) for further information and reservations.

By train, take the Harlem Division of the Metro-North Railroad to Katonah, New York. Taxi service from the station to Caramoor (5 minutes away) is available.

By car from the West Side of Manhattan and New Jersey, take the Saw Mill River Parkway north to Katonah.  Exit at Route 35/Cross River.  Turn right, and at the first traffic light make a right turn onto Route 22 south. Travel 1.9 miles to the junction of Girdle Ridge Road. Follow the signs to Caramoor.  (For detailed directions call 914.232.5035 and press 2, or online at caramoor.org).

Caramoor Center for Music and the Arts is located at 149 Girdle Ridge Road, Katonah, New York.

# # # # #

Caramoor Cavalcade
______________________________________________________________________________

June 30                        Music in the Gardens
$15*   

Saturday, 1:00 pm        William Walton/Edith Sitwell/Facade: An Entertainment
Tapestry Hedge           Caramoor Ensemble
                                     Ed Schloth, reciter
                                     To be announced, reciter
                                     Michael Barrett, conductor

Saturday, 2:00 pm        Bel Canto Young Artists and Caramoor Virtuosi
Spanish Courtyard        Mari Moriya, soprano
                                      Laura Vlasak Nolen, mezzo-soprano
                                      Xiaoping Dai, tenor
                                      Eric Jordan, baritone
                                      Karen Gomyo, violin
                                      Edward Arron, cello
                                      Jennifer Grim, flute
                                       Rachelle Jonck, piano
                                      Andrew Armstrong, piano

                                      Program:
                                      Halvorsen ~ Passacaglia for Violin and Cello
                                      Rossini ~ O sospirato lido
                                      Schubert ~ Nocturne in E-flat Major for Violin, Cello and Piano, D. 897
                                      Tchaikovsky ~ None but the Lonely Heart
                                      Offenbach ~ The Tales of Hoffman:  Doll Song
                                      Tosti  ~ L'ultima canzone

Saturday, 3:00 pm         David Leisner
Sunken Garden             David Leisner, guitar

                                       Program:
                                       Villa-Lobos ~ Five Preludes
                                       Bach  ~ Prelude, Fugue and Allegro, BWV 998
                                       Villa-Lobos ~ Three Etudes

*includes free admission to the House Museum and picnic grounds
______________________________________________________________________________
 
June 30                          Caramoor Cavalcade Family Concert
Saturday, 4:30 pm          Family Concert for ages 6 and up
Venetian Theater           Jamie Bernstein, narrator
4:30 pm                           Marco Granados, flute (Sonidos Latinos Musical Advisor)
$25, $15*                        Elena and Samora Pinderhughes, young soloists
                                       Sonidos Latinos Festival Ensemble
                                                 Un Mundo
                                                 Choro Ensemble
                                                 Group Inkay

Spanish Courtyard          Andes Manta: traditional Andean music
4:30 pm                           Family Program for children under the age of 6.
$15*
   
*includes free admission to the House Museum and picnic grounds

______________________________________________________________________________

June 30                          Red, White & Blues
Saturday, 8:00 pm         Fourth of July Weekend Extravaganza
Venetian Theater           Paquito D'Rivera, clarinet
$67.50, $55,                   John Feeney, bass
$42.50, $30,                  Jeremy Denk, piano
$17.50                           Orchestra of St. Luke's
                                       Michael Barrett, conductor
   
                                      Program:
                                      Copland ~ Three Latin American Sketches
                                      Gershwin ~ Rhapsody in Blue
                                      D'Rivera ~ Concerto for Double Bass, Clarinet/Alto Saxophone
                                                         and Orchestra (Conversations with Cachao)
                                                         (World Premiere of a Caramoor commission)
______________________________________________________________________________

TICKETS
Tickets may be ordered by calling the Box Office at 914.232.1252 or online at caramoor.org.

# # #
Press Tickets:
Katherine Barna
917.339.7189
kbarna@cohndutcher.com