Caramoor CEO, Jeff Haydon, joined members of the Caramoor family including Caramoor Advisory Council member Zita Rosenthal and Caramoor Supporter Emily Grant at The Schuyler Foundation for Career Bridges’ Twelfth Annual Gala in NYC on May 13 to show support for Caramoor’s Director of Opera Will Crutchfield.
Original Post on NPR Music
By Tom Huizenga on May 01, 2014
In much of the country it still feels like summer is a long way off, but it’s not too early to plan on hitting the road and hearing great music. From bucolic college campuses in New England to musical rafting trips down the Colorado, these are 10 of the most intriguing classical festivals. And below them is a listing, by region, of many of the best fests. Been to one we missed? Pass along your own advice in the comments section or via Facebook or Twitter.
Featuring Album of the Year Winner, Alisa Weilerstein!
We are so excited to see Alisa Weilerstein on the cover of BBC Music Magazine! The Caramoor Artist-in-Residence was awarded Recording of the Year for her recording of the Elgar Cello Concerto with Daniel Barenboim. Weilerstein talks with BBC Music Magazine about what went into creating the award winning recording. To put her mark on this renowned concerto, Weilerstein had to focus on creating her own interpretation. This meant paying attention to the music at it’s most basic without previous recordings or historical references at the forefront. Her artistic efforts certainly paid off as the results are award winning!
We’re getting excited about our American Roots Music Festival coming up in June and thought it would be a good time to share some aspects about the genre. While the concept of American Roots Music may seem clear just by the title, there is so much more to the genre than its descriptors.
Originally Posted by Opus 3 Artists
Recipient of a 2011 MacArthur “genius grant” Fellowship, the American cellist Alisa Weilerstein has long proven herself to be in possession of a distinctive musical voice; the MacArthur Foundation proclaims her “a consummate performer, combining technical precision with impassioned musicianship,” while the Los Angeles Times observes simply, “Weilerstein’s cello is her id. She doesn’t give the impression that making music involves will at all. She and the cello seem simply to be one and the same.”