All-Mozart
Sunday July 2 4:00pm

Orchestra of St. Luke’s

Bernard Labadie, Principal Conductor Designate
All-Mozart

$25, $40, $50, $60, $70, $80 Garden Listening $10

Overview

Mozart’s joyful genius infuses this Sunday afternoon concert featuring the elegant Concerto for Flute and Harp. In his Caramoor debut, French-Canadian conductor, Bernard Labadie, an internationally recognized expert in 18th-Century music, brings his effervescent style to a program of youthful Mozart works. For the concerto, OSL principal flute, Elizabeth Mann, is joined by Emmanuel Ceysson, the principal harp of the MET Orchestra.

Artists

Orchestra of St. Luke’s
Bernard Labadie, conductor
Elizabeth Mann, flute
Emmanuel Ceysson, harp

Program

Mozart Symphony No. 17 in G Major, K. 129
Mozart Concerto for Flute and Harp in C Major, K. 299
Mozart Symphony in D Major, K. 196/121 “La finta giardiniera”
Mozart Symphony No. 29 in A Major, K. 201

Before the Show

3:00pm Pre-concert conversation in the Venetian Theater with Bernard Labadie, Elizabeth Mann, and Emmanuel Ceysson.

Getting to Caramoor

Taking the train? We’ll give you a lift! Free Metro-North Katonah Shuttle beginning at 2:00pm.

Garden Listening  Complimentary Garden Listening tickets for Members at the Family Level and above

Members, to redeem your complimentary tickets, add up to four Garden Listening tickets (per member and per event) to your cart and the complimentary price will be reflected at checkout once you’ve logged in to your account.


Enhance your Caramoor experience.

Symphony Court Dining

Enjoy a relaxed dining experience seated under a tented pavilion adjacent to the Italian Pavilion. Each buffet menu, designed and prepared by Great Performances, includes unlimited wine, beer, and sodas, or you are welcome to bring your own. You may choose to dine at a private table or communally with other concert-goers. Menus vary for each date; check the menu for below for the compete offerings. Already purchased your tickets? You can still reserve your spot at Symphony Court by ordering online (be sure to select July 2) or by calling the Box Office at 914.232.1252. Order by Tuesday at 5:00pm for the upcoming week's performance.
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Pre-Order Picnic Boxes

Let us pack your picnic for you! For heartier options, no lines, and the ease of ordering a picnic in advance this summer, consider choosing from our special picnic boxes offered by our caterer, Great Performances. View the menu and order by noting how many of each option you would like after selecting your seats for Orchestra of St. Luke's. Confirm by selecting "Add to Cart." Already purchased your tickets? You can still pre-order your picnic by ordering online (be sure to select July 2) or by calling the Box Office at 914.232.1252. Order by Tuesday at 5:00pm for the upcoming week's performance.
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Orchestra of St. Luke's

Orchestra of St. Luke’s

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Orchestra of St. Luke’s (OSL) is one of America’s most versatile and distinguished orchestras, collaborating with the world’s greatest artists and performing approximately 80 concerts each year—including its Carnegie Hall Orchestra Series, Chamber Music Series at The Morgan Library & Museum and Brooklyn Museum, and the Caramoor Summer Season. In its 41-year history, OSL has commissioned more than 50 new works, has given more than 175 world, U.S., and New York City premieres; and has appeared on more than 100 recordings, including four Grammy Award winners and seven releases on its own label, St. Luke’s Collection. Pablo Heras-Casado is OSL’s principal conductor and the orchestra’s fourth titled conductor; previous music directors and principal conductors are Sir Roger Norrington, Sir Charles Mackerras, and Donald Runnicles. Bernard Labadie’s currently serves as Principal Conductor Designate.

OSL grew out of a chamber ensemble that began giving concerts at the Church of St. Luke in the Fields in Greenwich Village in 1974. Today, the 21 virtuoso artists of St. Luke’s Chamber Ensemble make up OSL’s artistic core.

In its 41-year history, OSL has commissioned more than 50 new works, has given more than 175 world, U.S., and New York City premieres; and has appeared on more than 100 recordings

OSL owns and operates The DiMenna Center for Classical Music in Midtown Manhattan, where it shares a building with the Baryshnikov Arts Center. The DiMenna Center is New York City’s premier venue for rehearsal, recording, and learning, having quickly gained a reputation for its superb acoustics, state-of-the-art facilities, and affordability. Since opening in 2011, The DiMenna Center has welcomed more than 100,000 visitors, including more than 400 ensembles and artists such as Renée Fleming, Susan Graham, Itzhak Perlman, Emanuel Ax, Joshua Bell, Valery Gergiev, James Levine, James Taylor, and Sting. OSL hosts hundreds of neighbors, families, and school children at its home each year for free community events.

Through its Education & Community programs, OSL has introduced audiences across New York City to live classical music. OSL brings free chamber concerts to the five boroughs; offers free interactive music programs at The DiMenna Center; provides chamber music coaching for adult amateurs; and engages 10,000 public school students each year through its Free School Concerts. In 2013, OSL launched Youth Orchestra of St. Luke’s (YOSL), an intensive in- and after-school instrumental instruction program emphasizing musical excellence and social development, in partnership with community organizations and public schools in the Hell’s Kitchen neighborhood.

 


Bernard Labadie

Bernard Labadie, Principal Conductor Designate

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Bernard Labadie has established himself worldwide as a leading conductor of Baroque and Classical repertoire, a reputation closely tied to his work as Founding Conductor of Les Violons du Roy and La Chapelle de Québec. With these two ensembles, he regularly tours Canada, the US, and Europe in such major venues as Carnegie Hall, Lincoln Center, Walt Disney Concert Hall, The Kennedy Center, The Barbican, The Concertgebouw, and the Salzburg Festival, among others.

Labadie has become a regular presence on the podiums of leading North American orchestras, including the New York and Los Angeles Philharmonics, and the Symphony Orchestras of Chicago, Boston, San Francisco, St. Louis, Houston, Atlanta, Montreal, Toronto, and Miami’s New World Symphony.

The Canadian government has honored Bernard Labadie with the appointment as “Officer of the Order of Canada” in 2005 and he currently serves as Principal Conductor Designate of Orchestra of St. Luke’s.

Increasingly in demand among period-instrument orchestras as well, he frequently leads the Academy of Ancient Music and has worked with the Orchestra of the Age of Enlightenment, The English Concert, and Collegium Vocale Gent Orchestra, and soon with the Akademie für Alte Musik Berlin. 2017 conducting engagements feature debuts with the Norwegian and Vienna Chamber Orchestras, the Frankfurt Radio Symphony, the Orchestre National de Lyon, and appearances with the Orchestre symphonique de Montréal and the WDR Symphony Orchestra Cologne.

An eminent opera conductor, Maestro Labadie has served as Artistic Director of Opéra de Québec and Opéra de Montréal. He made his Metropolitan Opera debut during the 2009-2010 season with Mozart’s Die Zauberflöte, a work he also led at the Cincinnati Opera in 2011 and with which he made his 2017 debut at the Canadian Opera Company. Other highlights include Handel’s Orlando with Glimmerglass Opera, Mozart’s Così fan tutte at the Mostly Mozart Festival, and Mozart’s Lucio Silla with Santa Fe Opera.

Bernard Labadie’s extensive discography comprises many critically acclaimed recordings on the Dorian, ATMA, and Virgin Classics labels, including a collaborative recording of Mozart’s Requiem with Les Violons du Roy and La Chapelle de Québec, both of which received Canada’s Juno Award. Additional recordings include C.P.E. Bach’s complete cello concertos with Truls Mørk and Les Violons du Roy, and Haydn’s piano concertos with Marc-Andre Hamelin.

In 2016, Bernard Labadie received the Samuel de Champlain award in Paris. He was honored with a 2005 appointment as Officer of the Order of Canada and his home province named him a Chevalier de l’Ordre National du Québec in 2006.

Labadie is OSL’s fifth titled conductor, joining the distinguished roster of Pablo Heras-Casado (2011-2017), Roger Norrington (1990-1994), Charles Mackerras (1998-2001), and Donald Runnicles (2001-2007).

 


Elizabeth Mann, flute

Orchestra of St. Luke’s principal flutist Elizabeth Mann is a featured performer in concert halls throughout the United States, Europe, and the Far East. She is a member of the Orpheus Chamber Orchestra, has played principal flute with the Rotterdam Philharmonic Orchestra under the baton of Valery Gergiev, and recently recorded and performed as associate principal flute with the New York Philharmonic. She has been principal flute of the Santa Fe Opera and Minnesota Orchestra, flutist of the Dorian Wind Quintet, and has performed with the Boston Symphony Orchestra and with Yo-Yo Ma’s Silk Road Ensemble.

Aside from her work with OSL, Elizabeth Mann has performed as a member of the Orpheus Chamber Orchestra, Rotterdam Philharmonic Orchestra, New York Philharmonic, Santa Fe Opera, and Minnesota Orchestra.

Liz has toured the U.S. performing the Mozart Flute Concerto under the baton of André Previn, soloed with Renée Fleming at Carnegie Hall, and performed the “Brandenburg” Concertos with Jaime Laredo in Spain and Japan. She gave the U.S. premiere of Sofia Gubaidulina’s Concerto for Flute and Violin with Gidon Kremer, and premiered a solo flute piece by Joan Tower and a concerto by Peter Maxwell Davies. Liz has been featured at numerous festivals, including the Santa Fe Chamber Music Festival, Lockenhaus Chamber Music Festival in Austria, and Caramoor Music Festival. She can be heard on more than 100 recordings, including a critically acclaimed CD of Chopin flute and harp transcriptions with Deborah Hoffmann titled Reflections.

Liz is a well-known teacher in New York and gives masterclasses across the country. She is involved with the Orpheus Institute at The Juilliard School and Manhattan School of Music, and teaches at the Colorado College Summer Music Festival. After winning the Boston Young Artist Concerto Competition at age 12, Liz’s career began with a solo performance with the Boston Symphony Orchestra. She attended The Juilliard School as a student of Julius Baker.

 


Emmanuel Ceysson

Emmanuel Ceysson, harp

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With his powerful, virtuoso playing, Emmanuel Ceysson, the ‘enfant terrible’ of the harp, sweeps away all the clichés associated with his instrument. His infectious enthusiasm and boundless energy reveals the harp in all its sparkling splendour, in a world where poetry vies with temperament.

Since 2005 he has been a presence in such leading venues on the international musical scene as the Wigmore Hall, the Salle Gaveau, Carnegie Hall, the Vienna Konzerthaus, and the Berlin Philharmonie, where his appearances in recital, concerto repertoire and chamber music regularly win high praise from the press. In 2006 he joined the Orchestra of the Opéra National de Paris as Principal Harp; ever since then, his solo passages have frequently been singled out for mention by the Paris opera critics.

His unfailing commitment to his instrument has earned him the highest international distinctions. In rapid succession, he won the Gold Medal and a special performance prize at the USA International Harp Competition (Bloomington) in 2004, First Prize and six special prizes at the New York Young Concert Artist Auditions in 2006, and First Prize at the prestigious ARD Competition in Munich in September 2009, thus becoming the first harpist to obtain awards at three major international events.

Emmanuel Ceysson became the first harpist to obtain awards at three major international events by taking home the Gold Medal at the USA International Harp Competition, First Prize at the New York Young Concert Artist Auditions, and First Prize at the ARD Competition in Munich.

He was Visiting Professor at the Royal Academy of Music in London from 2005 to 2009 and has taught at the International Summer Academy in Nice since 2010; he also gives regular masterclasses in France and in the course of his foreign tours.

In 2010, Emmanuel Ceysson was nominated in the category ‘Solo Instrumental Discovery’ at the Victoires de la Musique Classique. In November 2011 he received a Prix d’Encouragement from the Académie des Beaux-Arts de l’Institut de France (Fondation Simone Del Duca) in recognition of his distinguished early career. A Naïve artist since January 2012, he is currently preparing a solo album based upon famous Opera themes.