Named “one of the greatest songwriters of her generation” by NPR, Anaïs Mitchell brings her world of narrative folksong, poetry, and balladry to the intimate Music Room. Creator of critically-acclaimed folk opera Hadestown, winner of eight Tony Awards including Best Musical and Best Original Score, Mitchell is a truly original and poignant voice of our time.
“Ms. Mitchell’s songs address contemporary angst with uncanny vision … a formidable songwriting talent” — The New York Times
Anaïs Mitchell is a Vermont and Brooklyn-based singer-songwriter who comes from the world of narrative folksong, poetry, and balladry. She recorded for Ani Difranco’s Righteous Babe Records for several years before starting her own Wilderland label in 2012. Among her recorded works are six full-length albums, including 2010’s sensationally-reviewed Hadestown, a folk opera based on the Orpheus myth; 2012’s Young Man in America, which was described by the UK’s Independent as ‘an epic tale of American becoming;’ and 2013’s Child Ballads, a collaboration with Jefferson Hamer, which won a BBC Radio Two Folk Award. Mitchell has headlined shows worldwide as well as supporting tours for Bon Iver, Ani Difranco, Patty Griffin, Josh Ritter, and Punch Brothers. She was the winner of a Folk Alliance 2018 Spirit of Folk Award.
Mitchell’s stage show of Hadestown, which was over a decade in the making, was first produced off-Broadway at New York Theatre Workshop and in Canada at Edmonton’s The Citadel, with record-breaking runs at both. In 2018 the show opened at London’s prestigious National Theatre, before transferring to Broadway at the Walter Kerr Theatre in April 2019. The musical has garnered rave reviews. The New York Times called it “inventive, beguiling and spellbinding” while Vogue announced that “Hadestown will be your new theater obsession.” Hadestown was the most winning production of the season on the Tony awards 2019, with 8 awards, including Best Musical and Best Score.
If there’s a common thread in Mitchell’s work — from her earliest acoustic records to the Hadestown show — it’s that she’s as interested in the world around her as the one inside her. She has a way of tackling big themes with the same emotional intimacy most artists use to describe their inner lives. That’s perhaps why The New York Times noted that her songs “address contemporary angst with uncanny vision … a formidable songwriting talent.”