Join us for the 22nd year of Cabaret in the Music Room, a Benefit for Caramoor with three-time Tony Award nominee Marin Mazzie and Emmy-nominated Jason Danieley. Broadway’s on- and off-stage golden couple discovered their romance 14 years ago, as the mythological lovers Dido and Aeneas in Charles L. Mee’s The Trojan Women: A Love Story, and have since appeared together in productions of Next to Normal, Brigadoon, and 110 in the Shade, as well as co-starring in countless cabaret performances. Most recently, Danieley is taking a solo cabaret act on the road: “Romantic Notions,” a deeply moving homage to his beloved.
“Dramatic … comedic … irresistible” – Times Square Chronicles
Hear this First Couple of Broadway in their Caramoor debut performing their popular show “He Said/She Said,” an impassioned array of traditional popular gems spanning a half-century. Stay with us after the performance for a champagne and dessert reception with the duo!
Festive attire is encouraged. Tickets begin at $75 and all but $30 of each benefit ticket is tax-deductible, as provided by law. For more information and to reserve your seats, please contact our Special Events office: email@example.com 914.232.1492
Caramoor thanks The Adela and Lawrence Elow Fund for The Great American Songbook: 1900 to 1960 for preserving and sustaining classic American songs through live performances.
Critically acclaimed performer and three-time Tony Award nominee, Marin Mazzie, has been heard in many of the country’s major symphony halls, cabaret and concert venues, and has been seen starring in some of the most memorable musicals on the Broadway stage and London’s West End.
She recently starred on Broadway as “Helen Sinclair” in Woody Allen’s Bullets Over Broadway for which she received the Outer Critics Circle Award. Marin’s other recent Broadway credits include starring in Next to Normal opposite real life husband, Jason Danieley. She received Tony and Drama Desk nominations and an Outer Critics Circle Award for her performance as Lilli/Katharine in the hit revival of Kiss Me, Kate, and later received an Olivier Award nomination when she made her West End debut in the show. Other Broadway credits include: Enron, Monty Python’s Spamalot (also West End), Ragtime (Tony, Drama Desk, and Outer Critics noms.), Passion (Tony nom.), Man of La Mancha, Into the Woods, Big River, and Out of This World and Kismet (both at Encores!). Her Off-Broadway appearances comprise the recent revival of Carrie (Drama Desk and Lucille Lortel Award nominations) as well as The Vagina Monologues, The Trojan Woman: A Love Story, and The World Goes Round (also National Tour).
Marin’s extensive concert career spans the country from Carnegie Hall to the Hollywood Bowl. She has been seen with the NY Philharmonic in two of their PBS specials: Sondheim: The Birthday Concert and their Live at Lincoln Center performance of Camelot as Guenevere. Marin and her husband, Jason Danieley, have performed their cabaret concerts He Said/She Said and Opposite You at The Café Carlyle, Feinstein’s at the Loews Regency, Lincoln Center’s American Songbook series, Joe’s Pub, the Cinegrill, and numerous other venues nationally. Marin received critical acclaim for her solo show at 54 Below. Marin Mazzie Make Your Own Kind of Music is now available on Broadway Records.
Marin’s television appearances include The Big C, SMASH, Without a Trace, Still Standing,Numb3rs, Jake in Progress, Stacked, Pryor Offenses. Other television appearances include many on PBS’ Great Performances: Passion, My Favorite Broadway: The Leading Ladies, and My Favorite Broadway: The Love Songs; and Live from Lincoln Center’s Ring Them Bells! A Kander & Ebb Celebration.
Marin holds an honorary doctorate and has a musical theater scholarship in her name from her alma mater, Western Michigan University.
Broadway actor, singer, concert performer and recording artist Jason Danieley is currently starring as Billy Flynn in Chicago at the Ambassador Theatre on Broadway.
Other Broadway appearances: The Visit, Next To Normal (with wife Marin Mazzie), originating the role of Aaron Fox in Curtains (Outer Critics Circle Nomination), originated the role of Malcolm in TheFull Monty (also London’s West End) and made his debut as the titular role in Candide (Theatre World Award and Drama Desk Nomination). He’s had leading roles in A Tree Grows In Brooklyn andStrike Up The Band (City Center’s: Encores!). His Off-Broadway performances include The Trojan Women: A Love Story and world premieres of Dream True by Ricky Ian Gordon and Floyd Collins by Adam Guettel.
Some of his Regional Theatre appearances include four other world premieres; Secondhand Lions,Some Lovers by Burt Bacharach, The Highest Yellow by Michael John LaChiusa (Helen Hayes Award) and Beauty by Tina Landau. Other regional credits include George in Chicago Shakespeare Theatre’s production of Sunday In The Park With George (Joseph Jefferson Nomination), Casino Paradise by William Bolcolm, 110 In The Shade (L.A. Garland Award) and Brigadoon (L.A.’s Reprise!).
As a concert soloist, Jason has appeared with many of the country’s leading orchestras including the New York, Boston and Philly Pops, L.A. and New York Philharmonics, St. Louis, Grant Park, Ravinia Festival, Utah, Minnesota and Buffalo Symphonies, Orchestra of St. Luke’s, American Symphony Orchestra and the BBC Pops Orchestra. Concert highlights include many PBS Great Performances and Live from Lincoln Center television appearances including Enoch Snow in Carousel (NYPhil – Emmy nominated), Ring Them Bells: A Tribute to Kander & Ebb (Jazz @ Lincoln Center: with Chita Rivera and Marin Mazzie), Lt. Cable in South Pacific (Carnegie Hall – Emmy nominated) and Sondheim!: The Birthday Concert (NYPhil – Emmy nominated). Major staged performances of Candide and Of Thee I Sing/Let ‘Em Eat Cake (S.F. Symphony) The Mikado and The Song Of Norway (American Symphony & Collegiate Chorale/Carnegie Hall). In addition to symphony appearances Jason and Marin have performed in most of the prestigious nightclubs around the country in their cabaret concerts of Opposite You and He Said/She Said. Numerous recordings and other credits listed atwww.jasondanieley.com.