Due to the ongoing situation around COVID-19, we will be unable to hold this performance as planned.
If you have purchased tickets to this event, you will receive an email with information on how to donate the value of your credit as a tax-deductible contribution, receive a credit on your account for a future performance, or receive a full refund back to the original purchase method. If you have any questions, please feel free to contact our Box Office Monday – Friday, 10:00am – 4:00pm at 914.232.1252 or firstname.lastname@example.org.
Ticket donations for Summer Season events will go toward the Caramoor Artist Fund created to compensate artists whose summer Caramoor performances were canceled and not able to be re-scheduled.
Any orders without a response by September 1, 2020 will be refunded and a check will be mailed.
The New York Times has hailed Inon Barnatan as “one of the most admired pianists of his generation,” and we are thrilled to have him present a very diverse program in our Spanish Courtyard. Performing works by the romantic composer Mendelssohn, to a very entertaining arrangement of Gershwin’s I Got Rhythm, we invite you to this captivating outdoor performance.
Inon Barnatan, piano
Mendelssohn Selections from Songs Without Words
Thomas Adès Concert Paraphrase on Powder Her Face
Gershwin Prelude No. 2 in C-sharp Minor
Gershwin I Got Rhythm (arr. Earl Wind)
Schubert Piano Sonata in B-flat Major, D. 960
Inon Barnatan, piano
“One of the most admired pianists of his generation” (The New York Times), Inon Barnatan is celebrated for his poetic sensibility, musical intelligence, and consummate artistry. He is the recipient of both a prestigious 2009 Avery Fisher Career Grant and Lincoln Center’s 2015 Martin E. Segal Award, which recognizes “young artists of exceptional accomplishment.” He was recently named the new Music Director of the La Jolla Music Society Summerfest, beginning in 2019.
A regular soloist with many of the world’s foremost orchestras and conductors, the Israeli pianist recently completed his third and final season as the inaugural Artist-in-Association of the New York Philharmonic. After his recent debuts with the Leipzig Gewandhaus Orchestra, Hong Kong Philharmonic, and Chicago, Baltimore, and Seattle Symphonies, he opened the season with the Los Angeles Philharmonic at the Hollywood Bowl, and made recent debuts with both the London and Helsinki Philharmonic Orchestras.
In recital this season, Barnatan returns to venues including New York’s 92nd Street Y and London’s Wigmore Hall and Southbank Centre, besides making Carnegie Hall appearances with soprano Renée Fleming and his regular duo partner, cellist Alisa Weilerstein. A sought-after chamber musician, he is a former member of the Chamber Music Society of Lincoln Center’s CMS Two program, and makes regular CMS appearances. His passion for contemporary music has seen him commission and perform many works by living composers, including premieres of pieces by Thomas Adès, Sebastian Currier, Avner Dorman, Alan Fletcher, Joseph Hallman, Alasdair Nicolson, Andrew Norman, and Matthias Pintscher.
“A born Schubertian” (Gramophone), Barnatan’s critically acclaimed discography includes Avie and Bridge recordings of the Austrian composer’s solo piano works, as well as Darknesse Visible, which scored a coveted place on The New York Times’ “Best of 2012” list. His most recent album release is a live recording of Messiaen’s 90-minute masterpiece Des canyons aux étoiles (“From the Canyons to the Stars”), in which he played the formidable solo piano part at the Santa Fe Chamber Music Festival. His 2015 Decca Classics release, Rachmaninov & Chopin: Cello Sonatas with Alisa Weilerstein, earned rave reviews on both sides of the Atlantic.