Currently serving as Music Director of the Seattle Symphony, Ludovic Morlot makes his debut leading Caramoor’s orchestra in residence, Orchestra of St. Luke’s, in this program featuring the New York Premiere of Matthew Aucoin’s Evidence, a musical adventure full of “color and character” (LA Times). Also on the program is Tchaikovsky’s romantic Romeo & Juliet Fantasy Orchestra, Smetana’s Dance of the Comedians, and we welcome back Evnin Rising Star alumnus, Benjamin Beilman for Tchaikovsky’s Violin Concerto.
Ludovic Morlot, conductor
Benjamin Beilman, violin
Smetana Dance of the Comedians
Tchaikovsky Violin Concerto in D Major, Op. 35
— Intermission —
Matthew Aucoin Evidence (New York Premiere)
Tchaikovsky Romeo & Juliet Fantasy Overture
7:00pm Pre-concert conversation with Ludovic Morlot and Benjamin Beilman
Watch Matthew Aucoin discuss his orchestral work, Evidence
Ludovic Morlot, conductor
Ludovic Morlot has been Music Director of the Seattle Symphony since 2011. During the 2017/18 season they will particularly focus on the music of Berlioz, Stravinsky, and Bernstein. In addition, they will be presenting some exciting new works by John Luther Adams, Alexandra Gardner, David Lang, and Andrew Norman. Their many successful recordings have resulted in two Grammy Awards.
This season, Ludovic will be conducting at Seattle Opera for the first time, make his debut with the Orchestra of St Luke’s, and will return to the Atlanta and Houston Symphony Orchestras. He has regular relationships with the Chicago Symphony, New York, and Los Angeles Philharmonic Orchestras. Ludovic also has a particularly strong connection with the Boston Symphony Orchestra having been Seiji Ozawa Fellowship Conductor at Tanglewood and subsequently appointed assistant conductor for the orchestra and their Music Director James Levine. Since then he has conducted the orchestra in subscription concerts in Boston, at Tanglewood and on a tour to the west coast of America.
Outside North America, recent and future debuts include the Berliner Philharmoniker, Vienna Symphony, Yomiuri Nippon Symphony, and Bergen Philharmonic Orchestras. Other recent notable performances have included the Royal Concertgebouw, London Philharmonic, Czech Philharmonic, Dresden Staatskapelle, Tonhalle, Budapest Festival, Orchestre National de France, and Tokyo Philharmonic Orchestras. Ludovic served as conductor in residence with the Orchestre National de Lyon under David Robertson (2002-04) and was Chief Conductor of La Monnaie (2012-2014).
Ludovic is Chair of Orchestral Conducting Studies at the University of Washington School of Music in Seattle.
Benjamin Beilman, violin
Benjamin Beilman is recognized as one of the fastest rising stars of his generation, winning praise in both for his passionate performances and deep rich tone which the Washington Post called “mightily impressive,” and The New York Times described as “muscular with a glint of violence.” The Times also praised his “handsome technique, burnished sound, and quiet confidence which showed why he has come so far so fast.” Following his First Prize win at the Montreal Competition, the Strad described his performance of the Sibelius Violin Concerto as “pure poetry.”
Highlights of Mr. Beilman’s 2017-18 season include performances with the Houston Symphony, Oregon Symphony, North Carolina Symphony, Indianapolis Symphony, and Orchestra St. Luke’s, as well as a multi-city tour of California play-directing the New Century Chamber Orchestra in a program including Bach, Stravinsky, and Andrew Norman. In recital, he will premiere a new work written for him by Frederic Rzewski and commissioned by Music Accord, presented by Boston Celebrity Series and Shriver Hall, and on tour throughout the US in the 17-18 and 18-19 seasons. Abroad, Mr. Beilman will make his Australian concerto debut with the Sydney Symphony where he will perform Jennifer Higdon’s Concerto, and debuts with Scottish Chamber Orchestra and Trondheim Symphony. He will also perform the European premiere of Frederic Rzewski’s new work at the Heidelberg Spring Festival, and return to the Wigmore Hall in recital.
In the 16-17 season, Mr. Beilman returned to the Philadelphia Orchestra performing Prokofiev’s Violin Concerto No. 1 with Yannick Nézet-Séguin in subscription, and on tour with the orchestra at Carnegie Hall. He also premiered a new work by Elizabeth Oganek as soloist on the Chicago Symphony’s new music series, and returned to the San Francisco Symphony with Juraj Valcuha. He performed with the Symphony orchestras of Detroit, San Diego, Atlanta, and Grand Rapids, as well as making recital debuts in San Francisco and Vancouver. In Europe, Mr. Beilman has performed with many of the major orchestras including the London Philharmonic, Frankfurt Radio Symphony, and Zurich Tonhalle, and in 16-17 made his debut with the Rotterdam Philharmonic and Krzysztof Urbanski, the City of Birmingham Symphony and Vassily Sinaisky, and the Orchestre National de Capitole de Toulouse and Rafael Payare. He also appeared in recital on a ten-city tour of Australia – including debut appearances in Sydney and Melbourne.
In recent seasons, Mr. Beilman has appeared in subscription with the Philadelphia Orchestra, and returned to play with them at the Bravo! Vail Valley Festival, and Saratoga. He also made his recital debuts at the Berlin Philharmonie, and at Carnegie Hall, in a program that included the premiere of a new work by David Ludwig commissioned for him by Carnegie Hall. Further recital appearances include performances at the Verbier Festival, Heidelberg Spring Festival, Louvre, Tonhalle Zürich, Wigmore Hall, and Festpiele Mecklenburg-Vorpommern. Mr. Beilman has also previously performed with Tonhalle Orchester Zürich and Sir Neville Marriner, l’Orchestre Métropolitain de Montréal and Yannick Nézet-Séguin, and the Malaysian Philharmonic and Hans Graf.
Mr. Beilman has received several prestigious awards including a Borletti-Buitoni Trust Fellowship, an Avery Fisher Career Grant, and a London Music Masters Award. In 2010 he won the First Prize in the Young Concert Artists International Auditions, and as First Prize Winner of the 2010 Montréal International Musical Competition and winner of the People’s Choice Award, Beilman recorded Prokofiev’s complete sonatas for violin on the Analekta label in 2011. In 2016 he released his first disc for Warner Classics titled Spectrum, featuring works by Stravinsky, Janacek, and Schubert.
Mr. Beilman studied with Almita and Roland Vamos at the Music Institute of Chicago, Ida Kavafian and Pamela Frank at the Curtis Institute of Music, and Christian Tetzlaff at the Kronberg Academy. Mr. Beilman plays the “Engleman” Stradivarius from 1709 generously on loan from the Nippon Music Foundation.
Orchestra of St. Luke’s
Caramoor’s orchestra-in-residence began in 1974 as a group of virtuoso musicians performing chamber music concerts at Greenwich Village’s Church of St. Luke in the Fields. Now in its 43rd season, the Orchestra performs diverse musical genres at New York’s major concert venues, and has collaborated with artists ranging from Renée Fleming and Joshua Bell to Bono and Metallica. In the fall of 2018, internationally celebrated expert in 18th-Century music, Bernard Labadie, will join the Orchestra as Principal Conductor, continuing the Orchestra’s long tradition of working with proponents of historical performance practice.
OSL’s signature programming includes a subscription series presented by Carnegie Hall, now in its 31st season; an annual multi-week collaboration with Paul Taylor American Modern Dance at Lincoln Center; an annual summer residency at Caramoor Center for Music and the Arts; and a chamber music festival featuring appearances at The Morgan Library & Museum, the Brooklyn Museum, and Merkin Concert Hall at Kaufman Music Center. The Orchestra has participated in 118 recordings, four of which have won Grammy Awards, has commissioned more than 50 new works, and has given more than 175 world, U.S., and New York City premieres.
Nearly half of OSL’s performances each year are presented free of charge through its education and community programs, reaching over 10,000 New York City public school students. Additionally, OSL provides free instrumental coaching and presents student performances through its Youth Orchestra of St. Luke’s and its Mentorship Program for Pre-Professional Musicians.
OSL built and operates The DiMenna Center for Classical Music in Hell’s Kitchen, New York City’s only rehearsal, recording, education, and performance space expressly dedicated to classical music. The DiMenna Center serves more than 500 ensembles and more than 30,000 musicians each year.