The [Music] Room

of the Rosens’ house—the  room itself—witnessed many an evening of  music being executed in it by Walter Rosen  (piano) and Lucie Bigelow Rosen (theremin)  themselves. The [Music] Room—the sound  installation piece—manifests as an apparently  immanent state of eternal quasi-presence.  The performers and the audience have already  left the room. The involuntary sonic presence  of both the instruments and of those who attended  the concert, however, refuses to leave.  It will resonate forever within these confines  as a quasi-music that somehow surpasses the  original; with its own self-sufficient presence,  beauty and pride. Or, seen in a different light:  that “original” situation of performers and audience  is probably being reenacted now — in  front of us — in a parallel realm of which we  can only sense its most alluring aspect: the  noise in the music.

The automatic piano performs compositions  taken from Walter Rosen’s preferred classical  repertoire. The theremin performing sounds  have been evolved from original recordings by  Lucie Bigelow Rosen on the theremin.

—Francisco López

 

2014 Exhibit. Video by Caryn Waechter. 

 

Francisco Lopez. Photo by Francisco Lopez

Francisco López

Francisco López is internationally recognized as one of the major figures of the sound art and experimental music scene. For more than thirty years he has developed an astonishing sonic universe, absolutely personal and iconoclastic, based on a profound listening of the world: destroying boundaries between industrial sounds and wilderness sound environments, shifting with passion from the limits of perception to the most dreadful abyss of sonic power, proposing a blind, profound and transcendental listening, freed from the imperatives of knowledge and open to sensory and spiritual expansion.

He has realized hundreds of concerts, projects with field recordings, workshops and sound installations in over seventy countries on the five continents. His extensive catalog of sound pieces (with live and studio collaborations with over 150 international artists) has been released by more than 300 record labels / publishers worldwide. He has been awarded honorary mentions at the competition of Ars Electronica Festival four times and is the recipient of the Qwartz Award 2010 for best sound anthology.

 

2014 Installation and Interview. Video by Caryn Waechter. 

 

www.franciscolopez.net