Audra McDonald — record-breaking winner of six Tony Awards — returns to Caramoor bringing her unparalleled talents to the Opening Night of our Summer Season. Celebrate the American Songbook as brought to life by the inspiring force of a Broadway legend and Caramoor’s exceptional orchestra-in-residence, Orchestra of St. Luke’s.
Orchestra of St. Luke’s
Andy Einhorn, Music Director
Audra McDonald is unparalleled in the breadth and versatility of her artistry, as both a singer and an actress. The winner of a record-breaking six Tony Awards, two Grammy Awards, and an Emmy Award, she was named one of Time magazine’s 100 most influential people of 2015 and received a 2015 National Medal of Arts — America’s highest honor for achievement in the arts—from President Barack Obama. Blessed with a luminous soprano and an incomparable gift for dramatic truth-telling, she is as much at home on Broadway and opera stages as she is in roles on film and television. In addition to her theatrical work, she maintains a major career as a concert and recording artist, regularly appearing on the great stages of the world.
Born into a musical family, McDonald grew up in Fresno, California, and received her classical vocal training at the Juilliard School. A year after graduating, she won her first Tony Award for Best Performance by a Featured Actress in a Musical for Carousel at Lincoln Center Theater. She received two additional Tony Awards in the featured actress category over the next four years for her performances in the Broadway premieres of Terrence McNally’s Master Class (1996) and Ragtime (1998), for an unprecedented total of three Tony Awards before the age of 30. In 2004 she won her fourth Tony, starring alongside Sean “Diddy” Combs in A Raisin in the Sun, and in 2012 she won her fifth — and her first in the leading actress category — for her role in The Gershwins’ Porgy and Bess. In 2014 she made Broadway history and became the Tony Awards’ most decorated performer when she won her sixth award for her portrayal of Billie Holiday in Lady Day at Emerson’s Bar & Grill — the role which also served as the vehicle for her 2017 debut on London’s West End. In addition to setting the record for most competitive wins by an actor, she also became the first person to receive awards in all four acting categories. McDonald’s other theater credits include The Secret Garden (1993), Marie Christine (1999), Henry IV (2004), 110 in the Shade (2007), her Public Theater Shakespeare in the Park debut in Twelfth Night (2009), and Shuffle Along, Or, The Making of the Musical Sensation of 1921 and All That Followed (2016).
McDonald made her opera debut in 2006 at Houston Grand Opera, where she starred in a double bill: the monodrama La voix humaine by Francis Poulenc and the world premiere of Send by Michael John LaChiusa. She made her Los Angeles Opera debut in 2007 starring alongside Patti LuPone in John Doyle’s production of Kurt Weill’s Rise and Fall of the City of Mahagonny. The resulting recording won McDonald two Grammy Awards, for Best Opera Recording and Best Classical Album.
On the concert stage, McDonald has premiered music by Pulitzer Prize-winning composer John Adams and sung with virtually every major American orchestra — including the Boston Symphony, Chicago Symphony, Cleveland Orchestra, Los Angeles Philharmonic, National Symphony, New York Philharmonic, Philadelphia Orchestra, and San Francisco Symphony — and under such conductors as Sir Simon Rattle, Esa-Pekka Salonen, and Leonard Slatkin. She made her Carnegie Hall debut in 1998 with the San Francisco Symphony under the baton of Michael Tilson Thomas in a season-opening concert that was broadcast live on PBS. Internationally, she has sung at the BBC Proms in London (where she was only the second American in more than 100 years invited to appear as a guest soloist at the Last Night of the Proms) and at the Théâtre du Châtelet in Paris, as well as with the London Symphony Orchestra and Berlin Philharmonic.
A familiar face on PBS, McDonald has headlined telecasts including an American Songbook season-opening concert, a presentation of Sondheim’s Passion, a Rodgers and Hammerstein tribute concert titled Something Wonderful, and five galas with the New York Philharmonic: a New Year’s Eve performance in 2006, a concert celebrating Sondheim’s 80th birthday, Carnegie Hall’s 120th anniversary concert, One Singular Sensation! Celebrating Marvin Hamlisch, and, most recently, Sweeney Todd. She was also featured in the PBS television specials A Broadway Celebration: In Performance at the White House and A Celebration of American Creativity, singing at the request of President Barack Obama and First Lady Michelle Obama. McDonald has appeared three times on the Kennedy Center Honors; been profiled by 60 Minutes, Today, PBS NewsHour, and CBS Sunday Morning; been a guest on The Late Show with Stephen Colbert and David Letterman, The Tonight Show with Jimmy Fallon, Late Night with Jimmy Fallon, The Colbert Report, NewsNation with Tamron Hall, Iron Chef America, The Megan Mullally Show, The Rosie O’Donnell Show, The Tavis Smiley Show, The Wendy Williams Show, and The Nightly Show with Larry Wilmore; and has guest co-hosted on The View with Barbara Walters. In 2012, McDonald was named the new official host of the PBS series Live From Lincoln Center, and she won her first Primetime Emmy Award for hosting the Creative Arts Special Program in 2015, having previously been nominated in 2013. In 2016, she received her fifth Emmy nomination for her role in HBO’s film version of Lady Day at Emerson’s Bar & Grill. In 2018, she joins the cast of The Good Fight for the second season of the CBS All Access original drama series.
As an exclusive Nonesuch recording artist, McDonald released her most recent album, Go Back Home, in 2013. She has released four previous solo albums on the label, interpreting songs from the classic (Gershwin, Arlen, and Bernstein) to the contemporary (Michael John LaChiusa, Adam Guettel, and Ricky Ian Gordon). The New York Times named her first Nonesuch album, 1998’s Way Back to Paradise, as Adult Record of the Year. Following the bestselling How Glory Goes in 2000 and Happy Songs in 2002, she released the 2006 album Build a Bridge, which saw the singer stretch her repertoire to include songs by the likes of Randy Newman, Elvis Costello/Burt Bacharach, Rufus Wainwright, and Nellie McKay. Her ensemble recordings include the acclaimed EMI version of Bernstein’s Wonderful Town conducted by Sir Simon Rattle, the New York Philharmonic release of Sondheim’s Sweeney Todd, and Dreamgirls in concert, as well as the first recording of Rodgers and Hammerstein’s Allegro and Broadway cast albums of Carousel, Ragtime, Marie Christine, 110 in the Shade, The Gershwins’ Porgy and Bess, and Lady Day at Emerson’s Bar & Grill. She is also featured on a number of audiovisual recordings available on DVD and Blu-ray, including Sondheim! The Birthday Concert; Christmas with the Mormon Tabernacle Choir and Orchestra at Temple Square; Weill—Rise and Fall of the City of Mahagonny; Bernstein—Wonderful Town; Audra McDonald: Live at the Donmar, London; and My Favorite Broadway: The Leading Ladies.
McDonald’s other accolades include five Drama Desk Awards, five Outer Critics Circle Awards, four NAACP Image Awards nominations, an Ovation Award, a Theatre World Award, the Drama League’s 2000 Distinguished Achievement in Musical Theatre and 2012 Distinguished Performance Award, a 2015 Rockefeller Award for Creativity, and Roundabout Theatre’s 2016 Jason Robards Award for Excellence in Theatre. In 2015, she was named to the Time 100—Time magazine’s list of the most influential people in the world—and in 2017, honored as one of Variety Magazine’s Power of Women alongside Chelsea Clinton, Blake Lively, and Gayle King. In 2013, she was honored as Musical America’s “Musician of the Year,” joining the esteemed company of previous winners such as Leonard Bernstein, Leontyne Price, Beverly Sills, and Yo-Yo Ma, and in 2017 she was inducted into Lincoln Center’s Hall of Fame as a member of the inaugural class, which included Ma, Price, Placido Domingo, Louis Armstrong, and Harold Prince. Besides her six Tony wins, she has received nominations for her performances in Marie Christine and 110 in the Shade. In 2016, McDonald received an honorary doctorate from Yale University.
In addition to her professional obligations, McDonald is a passionate advocate for equal rights, LGBTQ causes, and underprivileged youth. In 2014, she joined the Covenant House International Board of Directors, which oversees programs for homeless young people in 27 cities in six countries across the United States, Canada, and Latin America. McDonald’s outspoken activism for marriage equality helped put the issue on the national agenda. In 2009, she joined Twitter to promote the cause, using the Twitter handle @AudraEqualityMc, and in 2011 she joined Mario Batali and other pro-equality marchers in Albany to lobby New York state senators in the days leading up their groundbreaking vote for legalization. McDonald was featured in marriage equality and anti-bullying campaigns for Freedom to Marry, NOH8, and PFLAG NYC. In 2012, she and her now husband, actor Will Swenson, received PFLAG National’s Straight for Equality Award. A dog lover, she has two canine companions, Butler and Georgia, adopted from Eleventh Hour Rescue, a volunteer-based, non-profit organization that saves dogs from death row. Of all her many roles, her favorites are the ones performed offstage: passionate advocate for equal rights and homeless youth, wife to actor Will Swenson, and mother to her children.
Audra McDonald appears through arrangement with Alec Treuhaft, LLC.
Andy Einhorn, Music Director
Leading Broadway music director and conductor, Andy Einhorn, directs concerts in the 17/18 season with the Utah Symphony, Detroit Symphony Orchestra, Calgary Philharmonic Orchestra, National Arts Centre Orchestra and the New Jersey Symphony. He’s currently the Music Supervisor and Musical Director for the new Broadway production of Hello Dolly! starring Bette Midler. Einhorn’s Broadway credits include Holiday Inn, Woody Allen’s Bullets Over Broadway, Rodgers + Hammerstein’s Cinderella, Evita, Brief Encounter, The Light in the Piazza, and Sondheim on Sondheim. He recently served as music director and conductor for the Châtelet Theatre’s production of Sondheim’s Passion in Paris and Einhorn made his New York Philharmonic debut with world-renowned trumpeter Chris Botti.
Since 2011 Einhorn has served as music director and pianist for Six-Time Tony Award Winner, Audra McDonald, performing with her at such prestigious orchestras and venues including The Philadelphia Orchestra, San Francisco Symphony, National Symphony Orchestra, Los Angeles Opera, Avery Fisher Hall, Carnegie Hall, Walt Disney Concert Hall and Teatro Real, Madrid. They recently recorded performances for an upcoming telecast with the Sydney Symphony at the Sydney Opera House in Australia. Einhorn has also music directed for Barbara Cook at Feinstein’s and Toronto’s Royal Conservatory of Music.
His tour work includes Sweeney Todd, The Light in the Piazza, Mamma Mia!, and The Lion King. Einhorn’s work can be heard on the current touring production of Rodgers & Hammerstein’s The Sound of Music. Einhorn has worked at Goodspeed Opera House, Signature Theatre, Oregon Shakespeare Festival and PaperMill Playhouse. He was principal vocal coach and pianist for Houston Grand Opera’s An Evening with Audra McDonald, a double-bill of Poulenc’s La Voix Humaine and LaChiusa’s Send.
Recording credits include Bullets Over Broadway, Cinderella, Evita, Sondheim on Sondheim (Grammy Nom) Stage Door Canteen and McDonald’s newest release, Go Back Home. He served as the music director for HBO’s Peabody Award-winning documentary Six by Sondheim and music supervisor for Great Performances Peabody Award-winning special Broadway Musicals: A Jewish Legacy on PBS.
Andy Einhorn is an honors graduate of Rice University in Houston, Texas.
Orchestra of St. Luke’s
Caramoor’s orchestra-in-residence began in 1974 as a group of virtuoso musicians performing chamber music concerts at Greenwich Village’s Church of St. Luke in the Fields. Now in its 43rd season, the Orchestra performs diverse musical genres at New York’s major concert venues, and has collaborated with artists ranging from Renée Fleming and Joshua Bell to Bono and Metallica. In the fall of 2018, internationally celebrated expert in 18th-Century music, Bernard Labadie, will join the Orchestra as Principal Conductor, continuing the Orchestra’s long tradition of working with proponents of historical performance practice.
OSL’s signature programming includes a subscription series presented by Carnegie Hall, now in its 31st season; an annual multi-week collaboration with Paul Taylor American Modern Dance at Lincoln Center; an annual summer residency at Caramoor Center for Music and the Arts; and a chamber music festival featuring appearances at The Morgan Library & Museum, the Brooklyn Museum, and Merkin Concert Hall at Kaufman Music Center. The Orchestra has participated in 118 recordings, four of which have won Grammy Awards, has commissioned more than 50 new works, and has given more than 175 world, U.S., and New York City premieres.
Nearly half of OSL’s performances each year are presented free of charge through its education and community programs, reaching over 10,000 New York City public school students. Additionally, OSL provides free instrumental coaching and presents student performances through its Youth Orchestra of St. Luke’s and its Mentorship Program for Pre-Professional Musicians.
OSL built and operates The DiMenna Center for Classical Music in Hell’s Kitchen, New York City’s only rehearsal, recording, education, and performance space expressly dedicated to classical music. The DiMenna Center serves more than 500 ensembles and more than 30,000 musicians each year.